Press

“Reinartz’s work with the socio-politics of music forms a piece that likens a concert, not least in the way it paraphrases the “between-song banter”. But this talk is not there to provide an answer as to what the piece portrays. Rather, it aims to establish another type of presence among the audience, getting them ready for what is to come, from the dance or from themselves. Atlantic is on the cusp of the kind of concert moment where many different bodies find their own inner swing, together, and
are surprised by it.”
*Tova Gerge, Social and political soundscapes, Dans <3 Stockholm 2013
https://fingervals.wordpress.com/category/concert/

“Juli Reinartz stands alone on stage. With her: A palm tree in a basket, Juli's band. She wears a black bomber jacket with a palm print. ”Good evening Mozambique – welcome to Atlantic!” She talks with a deep voice: of lovers, astronomy, reasons, the unnecessary, the superfluous, as she rocks back and forth. She breathes rythmically through the microphone, and swings it round and round. Green light. Silence. And over again. They all become a rythm tonight. I see an alien creating a chamber where history and future meet. She resists a linear understanding of sound and movement, through rythm and expansion in layers, vertically: ”You must be a hundred but you look like millions!”
*Nataly Salas, Seems like madness, Nutida Musik